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Phase 4:
The audio factor:
Although I am aware of many approaches to producing audio output from written text and like wise producing text from speech. All so far as I have seen are taking the "natural language" approach, such as the "Dragon Naturally Speaking" for example. Here is a proposition for another method, one which stands more with the cybertext communication tradition.
As you may well know ( also in referance to my color coded fonts) each color of light as well as each "note" of sound occures on (a) specific frequency (s) where each individual color of light (visible) only occures on one (unique) frequency beginning with red (low)frequency and ending with violet (higher) frequency, and where with sound each "note" occures on 1 specific frequency and all respective "harmonic" frequencies. due to our ears having greater range of potential frequency inputs than our eyes which are more narrowly tuned for light we are able to hear several different "octaves" of one single note where as with light we are only able to see 1 "octave" of the color. but the bottom line is light and sound are both just vibrations at different frequency "vectors" on the same electromagnetic spectrum.
What this means is that for every color we use in our color coded fonts there is also its respective "harmonic " set of sounds that could be paired with it and sent through the CYBERFACE to the reader. we only need to determin which audible notes pair with each color we have assigned, and poof ! we have our selves an audio visual input interface capable of show and tell in a very big way..
Phase 1
Phase 2
Phase 3
Phase 4
Abstract
This document has copyright (c) under "Open Source" inititave. Meaning all or part of this text may be used within certan defined guidelines.
Back to root
Phase 4:
The audio factor:
Although I am aware of many approaches to producing audio output from written text and like wise producing text from speech. All so far as I have seen are taking the "natural language" approach, such as the "Dragon Naturally Speaking" for example. Here is a proposition for another method, one which stands more with the cybertext communication tradition.
As you may well know ( also in referance to my color coded fonts) each color of light as well as each "note" of sound occures on (a) specific frequency (s) where each individual color of light (visible) only occures on one (unique) frequency beginning with red (low)frequency and ending with violet (higher) frequency, and where with sound each "note" occures on 1 specific frequency and all respective "harmonic" frequencies. due to our ears having greater range of potential frequency inputs than our eyes which are more narrowly tuned for light we are able to hear several different "octaves" of one single note where as with light we are only able to see 1 "octave" of the color. but the bottom line is light and sound are both just vibrations at different frequency "vectors" on the same electromagnetic spectrum.
What this means is that for every color we use in our color coded fonts there is also its respective "harmonic " set of sounds that could be paired with it and sent through the CYBERFACE to the reader. we only need to determin which audible notes pair with each color we have assigned, and poof ! we have our selves an audio visual input interface capable of show and tell in a very big way..
Phase 1
Phase 2
Phase 3
Phase 4
Abstract
This document has copyright (c) under "Open Source" inititave. Meaning all or part of this text may be used within certan defined guidelines.
Back to root
posted by Unknown at
3:01 AM
